Martine Barrat’s Harlem: how a French photographer captured New York’s soul

French photographer Martine Barrat’s intimate portraits of 1970s-80s Harlem and the Bronx reveal a New York of block parties, boxing clubs and quiet resilience. Her work, now exhibited, offers a rare glimpse into communities often overlooked.

Martine Barrat’s Harlem: how a French photographer captured New York’s soul
Photo by Hennie Stander on Unsplash

The day’s news opens with an image: a French woman in a dimly lit Harlem apartment, her camera capturing the laughter of children spilling from a block party. Martine Barrat’s photographs, now on display in London, are not just pictures—they are invitations into a New York that few outsiders ever saw. Her work, spanning the 1970s and 80s, reveals a city of contradictions—tough yet tender, vibrant yet vulnerable—where communities built resilience in the face of neglect.

The photographer who became family

Martine Barrat arrived in New York in 1971 with little more than a camera and a curiosity for the lives unfolding beyond the tourist gaze. What began as a project to document the city’s street life evolved into something far more intimate. Barrat didn’t just photograph Harlem and the Bronx; she lived there, earning the trust of her subjects to the point where she was invited into gang apartments, boxing gyms, and even a stranger’s wedding.

Her images—now part of a retrospective at the Barbican—are a testament to the power of patience in photography. Unlike the fleeting snapshots of street photographers, Barrat’s work feels like a collaboration. The children in her frames aren’t posed; they’re caught mid-play, their expressions unguarded. The boxers she photographed in the Bronx’s community clubs aren’t just athletes; they’re mentors, their fists raised as much against poverty as against opponents.

What makes Barrat’s work remarkable isn’t just its technical skill, but its humanity. In an era when New York was often reduced to stereotypes of crime and decay, her photographs showed something else: the quiet dignity of people claiming joy in the midst of hardship. A grandmother braiding her granddaughter’s hair. A group of teenagers dancing under a fire hydrant’s spray. A young man in a boxing ring, his face a mix of determination and exhaustion. These are not images of victims, but of survivors.

Why this matters now

Barrat’s photographs arrive at a moment when New York—and cities like it—are grappling with questions of identity, displacement, and who gets to tell their stories. Her work predates the gentrification that would later transform Harlem and the Bronx, but it feels eerily prescient. The communities she documented were already fighting to hold onto their spaces, their culture, their sense of belonging.

There’s a lesson in her approach, too. Barrat didn’t parachute in as an outsider; she stayed, listened, and let the people she photographed guide her lens. In an age of instant digital documentation, her work is a reminder of what’s lost when we prioritize speed over depth.

The exhibition also raises uncomfortable questions about who gets remembered in art. How many photographers of colour, how many local storytellers, were capturing the same scenes as Barrat—but without the institutional backing to preserve their work? Her archive is a gift, but it’s also a challenge: to seek out the voices that history has overlooked.


The bond market’s warning shot

While Barrat’s New York pulses with life, the financial world is sending a different kind of signal. Global bond markets are in turmoil, with yields surging to levels not seen in decades. The 10-year US Treasury yield, a benchmark for global borrowing costs, jumped 15 basis points in a single day this week—the sharpest rise since the market chaos of April 2025. Japan’s government bonds aren’t faring better, with yields hitting multi-decade highs.

The trigger? A batch of stronger-than-expected economic data, coupled with rising oil prices, has reignited fears that central banks may have to keep interest rates higher for longer. Futures markets are now pricing in a 71% chance of a Federal Reserve rate hike in October. For borrowers—from governments to homeowners—the message is clear: the era of cheap money is over.

The implications stretch far beyond Wall Street. Higher bond yields mean higher borrowing costs for everything from mortgages to student loans. They also put pressure on governments running large deficits, like the UK, where public debt is already at its highest level since the 1960s. And in a world where debt has fueled everything from corporate buyouts to climate transitions, the shift could force a reckoning with what’s sustainable—and what’s not.

Australia’s fuel crisis: a glimpse of the future?

Half a world away, Australia is facing a different kind of economic squeeze. Diesel prices are surging toward $3 a litre, a level not seen since April, as Donald Trump threatens to cut off US fuel exports amid stalled negotiations with Iran. The timing couldn’t be worse. Australia, which imports most of its refined fuel, is already grappling with supply chain disruptions and a weakening currency.

The crisis is more than a pocketbook issue. Higher fuel costs feed into everything from food prices to transport costs, adding to inflationary pressures that could force the Reserve Bank of Australia to raise interest rates again. And with unemployment ticking up to 4.6%—its highest level since the pandemic—workers are feeling the pinch. A growing number are taking on second jobs to cover rising mortgage repayments and living costs, according to economists.

The situation in Australia offers a preview of what other net fuel-importing nations might face if geopolitical tensions continue to disrupt global supply chains. It’s also a reminder of how quickly economic shocks can ripple through an economy, turning what starts as a fuel crisis into a broader cost-of-living emergency.


The quiet resilience of a day’s news

From the block parties of Harlem to the bond markets of Tokyo, today’s stories share a common thread: resilience in the face of forces beyond individual control. Martine Barrat’s photographs remind us that communities have always found ways to thrive, even when the odds are stacked against them. The bond market’s gyrations and Australia’s fuel crisis, meanwhile, underscore how fragile that resilience can be when the systems we rely on falter.

What lingers is the question of who gets to tell these stories—and who listens. Barrat’s work endures because she didn’t just observe; she bore witness. The rest of today’s news will fade, but the lessons remain: economies can shift overnight, but the human capacity to adapt is what makes history.